Hip-hop and the White House: UB scholar discusses how politics intersect with the music genre
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No doubt, House music is one of the most influential music genres that has ever been invented. House music has a wide and diverse fanbase, and there is no single type of person who listens to it. The genre has appeal across a range of age groups, cultures, and backgrounds, and its fans come from all walks of life. House music is eternally progressing and sparking new identities from its core. Afro-house is derived from traditional house music but was combined with South African music. There is a wide variety of house music, which derives from the most basic house music.
: Chicago house, acid house and deep house
It’s impossible to overstate how huge house music was to Chicago at this point. As 1987 and 1988 went on, tracks like Joe Smooth’s “The Promised Land,” Jamie Principles’s “Baby Wants to Ride” and Mr Fingers’ “Can You Feel It” quickly became international club anthems. But in Chicago alone, 12-inches were selling by the tens of thousands. Radio audiences for house across the city and the Midwest were in the millions.
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The ‘house’ in house music is derived from the word ‘Warehouse’. I don’t listen to Drake.” My initial reaction to that record was not very good, but I got into the later tracks a little more, they’re really well produced. The mechanical, acidic take on house that Adonis perfected on ‘No Way Back’ in 1986 mixed retro-futurism with the spirit and soul of classic Chicago house, retaining more than enough funk in its lifeblood to fill any dancefloor. This number from Chicago’s Lil’ Louis was one of the first house tracks to enjoy both considerable commercial success and heavy club airplay on its release. Even one listen to its infectious, unrelenting groove and orgasmic tempo shifts is enough to understand exactly why it got everyone so excited.
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Fellow Swedish DJ/artist Alesso collaborated with Calvin Harris, Usher, and David Guetta.[123] In France, Justice blended garage and alternative rock influences into their pop-infused house tracks, creating a big and funky sound. Club play of house tracks by pioneering Chicago DJs such as Ron Hardy and Lil Louis, local dance music record shops such as Importes Etc., State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs and producers from Detroit fell into the genre.
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Many bass music acts – Skream and Solardo most notably – crossed over and became huge names in a new style. Patrick Topping with his 2014 hit “Get Beasty” has gone from breakout to star in his own right, proving that while tech house may be significantly more banging and played in bigger arenas than when it emerged in London, its momentum is unstoppable. For many, everything else is a distraction, and “soulful house” — disco influences, solid Chicago/NY drum programming, and churchy vocals right up front — is just house. From the very earliest work of Ten City on their 1989 hit “That’s the Way Love Is”, to Cajmere, Steve “Silk” Hurley, Masters At Work, Dave Lee (formerly Joey Negro) and CeCe Rogers on 1987’s “Someday”, soulful house been a constant in dance culture.
Prog House / Melodic Techno
NYC native, Armand Van Helden produced this amazing mix of garage beats and vocals. Many house music producers in the late 90s focused on funk combined with more repetitive drums. The “house music” sound also evolved rapidly with the advancement of technology. DJs took house music to the next level by incorporating synthesizers, samplers, effects processors, and drum machines which introduced the consistent 4/4 tempo. These early innovators also started to loop basslines, add percussion layers, mix in effects, add vocals, and apply other remixing techniques. This new and innovative electronic sound immediately captured the hearts of clubgoers.
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Now, “people are fixing them up and making the community better,” he said. In an entertainment capital like Los Angeles, even tiny cocktail bars have a dedicated playlist, and Pinky’s has tapped Alex Rodriguez to curate the tunes. Best known for running Coachella’s record shop (and taking cross-country road trips just to stock the festival store with its typical quota of nearly 30,000 used records), Rodriguez also brings in acts for intimate listening sessions and performances. Expect guest DJs or a turn behind the deck from Rodriguez himself. Elsewhere in the space, a former recording booth has been preserved and repurposed as the intimate 71 Studio Bar, while a charming rooftop plays host to happy hours and nightcaps alike with unobstructed views of the Hollywood Hills. At this Hollywood honky-tonk, the vibe is less celebrity and more community, with the audience encouraged to hoot and hoedown as freely as the beer and mezcal flowing through the crowd.
Dahl expressed his frustrations on-air at his new job at a rock station. He also promoted “Death to Disco” rallies where he would destroy disco records. These music genres are actually just staying dormant, waiting to be found again. There are many music genres from across the globe, and they all take turns being in the spotlight.
Chill house tunes may slow to 100 BPM while hard house and other aggressive genres can have BPMs that exceed 150. The early 80s was a vital turning point for DJing and music production. Synthesizers, samplers, sequencers, and drum machines became cheaper and more accessible, allowing bedroom producers to emerge.
It really took off, though, in the middle of the decade when Sasha and John Digweed — already superstars at home in the UK and making major inroads in North America — ran with it. Tracks like “For What you Dream Of” by Digweed as Bedrock, or Sasha and The Light’s remix of Gus Gus’s “Purple”, marked out a zone of epic structures. It was influenced by trance and breaks but kept a house pulse, and was tailor made for vast arenas, right as superstar DJ culture blew up big time. From this moment on, prog house became one of the most enduringly popular and trend-proof movements in dance music. Artists like Omid 16B, Deep Dish and Tomcraft and many more launched decades-long careers off the back of this late nineties explosion, and tracks like Sasha’s “Xpander” dominated Ibiza and the rest of the clubbing world. Pioneering club DJs in the late 70s explored creative ways to edit, mix, and remix records.
The bubbling, filtered blips are so beautifully weird when mixed in with a driving Chicago rhythm that it’s impossible to ignore it. If you’ve been to more than a handful of club nights, it’s almost guaranteed you’ll have heard a DJ drop this deviant dancefloor-filler. Helping pioneer the UK strain of Chicago-licked acid house with 808 State wasn’t enough for Gerald Simpson, who also recorded this seminal sizzler of a track on the side. Heavily influenced by the psychedelic side of house, ‘Voodoo Ray’ also utilised trippy, tribal rhythms, making for a multicoloured post-rave odyssey that still sounds deliciously heady today. Last month, when Beyoncé became the winningest musician in the history of the Grammys, the prize that put her over the top was in the category of best electronic/dance album.
In May 1987, I went to New York with Marshall Jefferson when he performed Move Your Body at the Paradise Garage. We were leaving, and we heard Move Your Body on the radio in New York – not even in the mix, on regular radio. I said, “Let’s call up major labels, this could be something really big.” In the end we got a deal for me and CeCe Rogers and I didn’t even have a demo. Atlantic Records said they’d sign the next record we did, and the next record we did was Devotion. However, I was also working at a record distributor and I could see we shipped house records to Washington DC, Baltimore, Philadelphia and New York.
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Acid house and tracks like “Acid Tracks” were extremely influential and responsible for the Summer of Love in the UK. The best way to do this is to feel the beat and move your body accordingly. There are no rules when it comes to dancing, so express yourself however you feel comfortable. This subgenre is popular on the East Coast and in other places like Miami. Latin house, as how the name suggests, is influenced mostly by Brazilian music and salsa.
No one’s in love with the idea that she’s saving house music or whatever. I absolutely remember the first place where I heard house music. I was still in high school, and I went to a club in Baltimore, where I lived, called Odell’s – its tagline was “You know if you belong” – and it had this amazing sound system. You would feel it in your body because the sound system was so thunderous, warm and resonant. It was a communal experience, a place where people went to escape the struggles of their daily life or be accepted by a group that was inclusive of everyone. There was a time when disco had ended, but people still loved to dance.
It fizzled out, but the echoes of hip hop would give NYC’s house an edge that would continue into the ‘90s. Historically deeply influenced by musical trends coming from England, France, and the US, Montreal has developed a distinct house music scene. By 2011, the world had accepted house music, and it quickly became one of the largest musical genres on the planet. The big room sound was now called “EDM,” and every festival was filled with massive stars like Avicii. From the deep and sultry vocals to the mesmerizing beats, “Your Love” is a dancefloor anthem that has lasted through the ages and will continue to be extremely influential to future generations of inspiring DJs and music producers. The synths and drums used in house music are greatly influenced by equipment designed in the 80s.
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